History Of SuperMan

J-Siegel and J-Shuster 1st, created a bald telepathic villain bent on dominating the entire Earth. He showed in the small story "The Reign of the Super-Man" from Science Fiction Number3, a science fiction fanzine that Siegel published in 1933. Siegel re-wrote the character in 1933 as a hero, bearing short or no resemblance to his villainous namesake, modeling the hero on Douglas Fairbanks Sr. and his bespectacled alter ego, Clark Kent, on Harold Lloyd. Siegel and Shuster then began a 6-year quest to find a publisher. Titling it The Superman, Siegel and Shuster offered it to Consolidated Book Publishing, who had published a 48-pages black-and-white comic book entitled Detective Dan: Secret Operative No. 48. Although the duo received an encouraging letter, Consolidated never again published comic books. Shuster took this to heart and burned all pages of this story, the cover surviving only because Siegel rescued it from the fire. Siegel and Shuster each compared this play to Slam Bradley, an adventurer the pair had created for Detective Comics Number1 (May 1939).

Siegel contacted other artists to collaborate on the strip, according to Gerard Jones feeling that "Superman was going nowhere with Joe". Tony Strobl, Mel Graff and Russell Keaton were all contacted as potential collaborators by Siegel. Artwork produced by Keaton based on Siegel's treatment shows the concept evolving. Superman is now sent back in time as a baby by the last man on Earth, where he is Get and raised by Sam and Molly Kent. However Keaton did not pursue the collaboration, and soon Siegel and Shuster were back working together on the character again.

The pair re-envisioned the character, who became more of a hero in the mythic tradition, inspired by such plays as Samson and Hercules, who would right the wrongs of Siegel and Shuster's times, fighting for social justice and against tyranny. It was on this stage the costume was introduced, Siegel later recalling that they created a "kind of costume and let's give him a big Son his chest, and a cape, make him as colourfull as we can and as distinctive as we can." The design was based in part on the costumes worn by characters in outer space settings published in pulp magazines, as well as comic strips such as Flash Gordon, and also partly suggested by the traditional circus strong-man outfit. However, the cape has been noted as being markedly different from the Victorian tradition. Gary Engle described it as without "precedent in famous culture" in Superman at 50th, The Persistence of a Legend. The pants-over-tights outfit was soon established as the basis for many future superheros outfits. This 3rd, version of the character was given extraordinary abilities, although this time of a physical nature as opposed to the mental abilities of the villainous Superman.

The locale and the hero's civilian names were inspired by the movies, Shuster said in 1983. "Jerry created all the names. We were great movie fans, and were inspired a lot by the actors and actresses we saw. As for Clark Kent, he combined the names of Clark Gable and Kent Taylor. And Metropolis, the city in which Superman operated, came from the 1st, Lang movie (Metropolis, 1927), which we both loved".

Although they were by now selling material to comic book publishers, notably Malcolm Wheeler-Nicholson's National Allied Publishing, the pair decided to feature this character in a comic strip format, rather than in the larger comic book story format that was establishing itself at this time. They offered it to both Max Gaines, who passed, and to United Feature Syndicate, who expressed interest initially but finally rejected the strip in a letter dated February 18, 1937. However, in what historian Les Daniels describes as "an incredibly convoluted turn of events", Max Gaines ended up positioning the strip as the lead feature in Whooler-Nicholson's new publication, Action Comics. Vin Sullivan, editor of the new book, wrote to the pair requesting that the comic strips be refashioned to suit the comic book format, requesting "eight panels a page". However Siegel and Shuster ignored this, utilizing their own experience and ideas to create page layouts, with Siegel also identifying the picture used for the cover of Action Comics Number#1 (June 1938), Superman's 1st, appearance.

Siegel may have been inspired to create the Superman character due to the death of his father. Mitchell Siegel was an immigrant who owned a clothing store on New York's Lower East Side. He died during a robbery attempt in 1932, a year before Superman was created. Although Siegel never mentioned the death of his father in interviews, both Gerard Jones and Brad Meltzer believe it must have affected him. "It had to have an effect," says Jones. "There's a connection there: the loss of a dad as a source for Superman." Meltzer states: "Your father dies in a robbery, and you invent a bulletproof man who becomes the world's greatest hero. I'm sorry, but there's a story there.

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